Lydian Chromatic Concept explained simply. Hello, thought I would share this and save everybody from trudging through the book (which is. Get acquainted with the Lydian mode and the Lydian Chromatic Concept – and learn why the Lydian scale, rather than the major, is the true. I’m going to give a very cursory simplification for the answer because asking about Lydian Chromatic theory is just like asking about Set Theory.

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Russell’s work postulates that all music is based on the tonal gravity of the Lydian mode.

Russell believed that dominant function was the driving force behind all harmonic motion. Russell focuses on the Lydian mode because it can be built with fifths. For instance, to construct a C Lydian scale one could list the first seven tones on the circle of fifths starting with C, the desired Lydian Tonic.


Russell builds a prototype chromatic scale starting on the Lydian Tonic by stacking fifths, skipping the interval between the seventh and eighth tones.

Lydian Chromatic Concept

Using C as the Lydian Tonic yields the following note scale with enharmonic respellings: Thus the Lydian Chromatic Scale and all its derivatives contain only Pythagorean intervals. Russell posited that tonal gravity emanates from the first seven tones of the Lydian mode.

As the player ventures further from the Lydian tonic however and further up the circle of fifthsthe tonal gravity shifts. For example, if notes further up the circle of fifths e. Russell’s theory has had far reaching effect especially in the realm of modal jazz.

Art Farmer said that it “opens the door to countless means of melodic expression” [6] and critic Joachim-Ernst Berendt described it as “the first work deriving a theory of jazz harmony from the immanent laws of jazz” and as “the pathbreaker for Miles Davis ‘ and John Coltrane ‘s ‘modality'”.

John Coltrane’s modal jazz is usually analyzed using Chromafic method. From Wikipedia, the free encyclopedia. Cited in Bruno Nettl, Melinda Russell; eds. In the Course of Performance: Studies in the World of Musical Improvisationp.


George Russell’s Lydian chromatic concept of tonal organization. The art and science of tonal gravity Fourth Second printing, corrected, ed. The Art and Science of Tonal Gravity.

Lydian Chromatic Concept of Tonal Lyidan published Retrieved from ” https: Jazz music education Jazz books books. Pages to import images to Wikidata Articles with hAudio microformats.

George Russell’s Lydian Chromatic Concept of Tonal Organization

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