1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.

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Hexatonics – melody instruments

DIC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Programma del triennio di di George Russell’s ‘Lydian Chromatic Concept’.

For example, over the D-7 chord, try any of these hexatonics: It could also be used on minor chords. This hexatonic can be played over many different chords. Jerry Bergonzi Vol 3 Jazz Line Gary book has more interesting permutations of pairs and Jerry’s book has more interesting applications. B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. I bfrgonzi plan to work on more of them soon.

He doesn’t write about why he presents the material in a certain order. As already stated, a hexatonic scale can be derived by combining the notes of two triads that do not share any common tones. Of course, context is everything! Note that sometimes the hexatonic includes an avoid note.


Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD

The book is big and just shy of pages. Jerry Bergonzi Vol 7 – Hexatonics Documents. Natural 11 on a dominant chord is an avoid beryonzi but it sounds fine when used in passing. You guys requested these, so here they are: As with the other books in this series, there is aplay along CD to tryout all of these different sounds.

Die D triad over C triad The reason the D triad is over the e triad is because it is more consonant sounding than e triad over the D triad. The sixth vergonzi is two minor triads a whole step apart. Is there some sort of system or are they just presented randomly?

You simply will not believe the number of transcriptions contained in these Japanese compilations. I fully describe Mr.

Casa Valdez Studios: Jerry Bergonzi’s approach to Hexatonics

Jerry Bergonzi vol 4 – Melodic-Rhythms Education. Jazz Saxophone solo transcriptions. George Coleman on YouTube Textural variety for improvisation the search continues Have each hexatonic be I bar, 2 bars or 4 bars each.

Viola vol 1 Jerry Bergonzi Vol Many modern piano players use hexatonic voicings by stacking the triads to create aparticular harmony.

Beginning with half-step relationships, F major and E major triads can be useful over ii and V in the key of C, while also generating interest with non-diatonic tones. Chord G 7 hexatoncs G t. Also, try improvising using any rhythm but starting your phrase on the notes of the bergohzi. G ‘ F-7 Bi: The latter approach can upset the rhythmic symmetry of a pattern, which is almost never a bad thing.


I had looked through some of his previous books but this one looked the interesting to me.

Jerry Bergonzi Vol 7 – Hexatonics.pdf

E-7 A7 D-7 G7 Of course, improvising and using only one particular hexatonic sounds very onedimensionaL Nevertheless, it is a good way to practice in order to make it your own.

On a bergohzi 7th chord, the upper Wad sounds the 9, n 1 and On some of these chords we are allowing much leeway.

This is meant to be a particular sound and, of course, overusing it would be comparable to over-spiced food. For the minor 7th chords you may either use the hexatonics given on the previous page or play any “regular” scale.